SAXOPHONIST and composer Martin Kershaw assembled a sparkling and talented ten-strong ensemble to perform the world premiere of his new piece, Hero as a Riddle, taking as his inspiration the work of the artist Eduardo Paolozzi.
Kershaw's music sho
wed a tremendous variety of texture and colour.
The introduction started as a cacophony, gradually developing into a powerful, if chaotic, piece where the percussion became dominant.
This was followed by Appel-Calder, with a terrific trombone feature for Phil O'Malley, and then Marquette, a gentler, classical-sounding piece where the electric string section expressed their virtuosity. The following piece, Vulcan, took us back into the jazz genre, with the whole ensemble producing a powerful sound where the whole was distinctly more than the sum of the parts.
After the interval we were treated to a fascinating demonstration of pizzicato by the three string players in Cleish Ceiling Sketch, which had a distinctly Oriental sound that, oddly, the following piece, Hamlet in a Japanese Manner, didn't. This, though, was enjoyable and lively, with Kershaw himself doing a terrific job on the saxophone.
Next up was His Majesty the Wheel which, after a nightmarish opening, moved into an extended and intricate piano section where Paul Harrison was simply sublime.
The final piece of the night, Hero as a Riddle, was almost conventional by comparison with what had gone on before, although it gave Ryan Quigley on the trumpet an opportunity to shine.
This was a fascinating work that deserves more performances.
